The
Arts & Crafts of Punjab
Art is described as a creation or expression of something
beautiful especially in a visual form and Arts and Crafts
as a
phrase
means decorative designs and handicrafts. In this field,
also, Punjab has the hoary and distinguished tradition
which its people have maintained in spite of vicissitudes
of time.
Mud
Works
There is
no limit to the creativity of Punjab's craftsmen. They
have this panache for turning seemingly dull materials
into masterpieces of art. Take as simple a thing as mud
for example. Plastering the walls with mud and drawing
ferns, plants, several other fascinating motifs has been a
way of life of the woman of Punjab.
Weaving and Embroidery

Weaving of
Durries (cotton bed or floor spreads) in myriad motifes and
designs especially by young girls in the villages has been a
long tradition in Punjab. These are also woven in stripes,
cheek boards, squares, motifs of birds, animals and even
plants as a part of dowry.
Needle
work of Punjab is unique, it has beautiful names because of
its associations with beautiful aspects of life and the
beautiful designs which the dextrous fingers of Punjab's
proverbially beautiful women create hav
e
such a wealth of forms and motifs that they defy
enumeration. Some of these are called Baghs, literally a
garden, Phulkaris, literally flower work, rummals, scarfs.
The patterns of needle work done on the bed spreads, chunnis,
dupattas (these are head covers) and shirts and Salvars, are
still different. Needle work on phulkaris is done on a deep
coloured cotton cloth with striking silk threads. The
threads is pierced upwards from underneath the cloth into
free-hand motifs, while in the Baghs and Rummals such cloth
is worked on the top side only. These were traditionally
used for wear but now are exported as wall hangings and sewn
as jackets etc.
Punjabi
hands fans like the Japenese are
almost
typical and their leaves are made in much the same way as
phulkaris etc. are made. The shoes made in different parts
of Punjab out of self lured leather have different
traditions. Light shoes were considered the best and to
explain this aspect the cobblers used to say that even the
sparrows can fly with them. Earlier shoes which have come to
be known as Punjabi Juttis throughout the world were
embroidered with gold and silver wires all over in different
patterns covering every parts of the pair so that it looked
as if it was made of solid gold and silver. Now even when
golden and silver threads are used to embroider these shoes,
the quality of these world famous shoes is still maintained.
Wood Works
The wood
work of Punjab has also been traditionally famous. Artistic
beds with comfortable, skillfully made, back rests fitted
with mirrors and carved colourful legs called Pawas, low
seats called Peeras, Peerian were made by carpenters in
almost every village. Their skill has passed into folk songs
(Raati
rondi da bhij gaya Ial bhangoora) weeping last night my red
Swing became drenched. Furniture designed in Punjab and
boxes, toys and decorative pieces made out of wood are
exported. In giving lacqueur finish to wood crafts, in
adorning it with coloured mirror and in engraving wood,
inlaying ivory (now white plastic only) the workmen of
Punjab have been renowned.
The onslaught of high technology is putting a premium on the
arts and crafts in the modern era and it will require
special efforts to preserve them for posterity.
Basketry
The weaving
of the vegitable fibres and the making of wicker articles
for daily use are amoung the oldest creations of human hands.
The evolution of products made of vegitable fibres is still
preserved in the living tradition of rural products made
of osier bast, straw commonly known in Punjab as Sarkanda,
interwoven with bast, reeds, rushes and corn husks.The craft
of basketry is widely practised all over Punjab. After shaving,
thin straws of this grass, are woven into beautiful carpets,
curtains etc.. Amoung these products the handfan is very
popular and fascinating on account of its curled shape.
These fans are popularly known as Peshawari Pakkhe. The
ones smaller in size are very fine and delicate. These are
called Kundaladar Pakkhi on account of their curled ends.
Phulkari
Phulkari
work is one of the most fascinating expressions of the Punjabi
folk art. Women have developed this art at the cost of some
of their very precious moments of leisure. They have always
been very fond of color and have devoted a lot of their
time to colorful embroidery and knitting. It has also been
customary for parents and relatives to give hand-embroidered
clothes to girls in dowry. Punjabi women were known for
embroidery with superb imagination. Phulkari is something
of which Punjab is justly proud and is also noted as the
home of this embroidered and durable product.
In the
Phulkari work, the whole cloth is covered with close
embroidery and almost no space is left uncovered. The piece
of cloth thus embroidered is called baag meaning a garden.
If only the sides are covered it is called chope. The back
ground is generally maroon or scarlet and the silken thread
used is mostly golden. Colour schemes show a rich
sensitiveness. Some Phulkaris are embroidered with various
motifs of birds, animals, flowers and sometimes scenes of
village life.
Phulkari, meaning flower work,
is a spectacular style of embroidery peculiar to Punjab, and
an essential part of everyday life. Almost every cermony in
which women participate is given a touch of additionl colour
and richness by the use of phulkari on account of its being
considered auspicious
Leather craft
Jootis
Color, beauty
and utility combine to form the central theme of the well-known
leather jootis (shoes and slippers) of Punjab. Rich gold
and multi-colored threads are used to decorate and impart
a royal touch to a variety of jootis crafted from leather
of different shades.
Punjabi Juttis
are embroidered with gold and silver wires all over in different
patterns covering every parts of the pair so that it looked
as if it was made of solid gold and silver. Now even when
golden and silver threads are used to embroider these shoes,
the quality of these world famous shoes is still maintained.
Pidhis
At Kartarpur,
Jalandhar and Hoshiarpur, craftsmen and women create pidhis
(low, four legged woven stools), which are both functional
and artistic. In a marvelous display of skill, the pidhis
are first carved out from wood, and then covered with lacquer
and woven with threads of different colors. Other lacquer
ware products of Punjab include table lamps, dolls, and
attractive scratch work surahis. Wood workers at Hoshiarpur
and Kartarpur specialize in making artistic furniture with
intricate designs. In those golden days when artisans received
royal patronage, the wood workers of Hoshiarpur particularly
were specialists in inlaying ivory. With motifs and ornamentation
drawn from life around them -Patta (leaf), dodi (bud), jhari
(bush), flowers and animals and birds-the wood workers created
masterpieces that found their way to the homes of those
who had an eye for skill and beauty.
Parandis
The parandi
craftspeople have refined their art and now produce wonderfully
attractive parandis in a number of colors and designs Parandis
can be purchased almost everywhere in Punjab, but Jalandhar,
Amritsar, Nikodar, Hoshiarpur and Ludhiana are amongst the
places where the greatest variety can be seen.
Dolls
The dolls
of Punjab, especially the Punjabi bride and the bhangra
(a lively fold dance) dolls. Colorful and beautifully crafted
and dressed, dolls are made all over Punjab, but the most
important center for doll making is Chandigarh.
Folk
Toys Making
The
earliest hand-made toys of Punjab can be traced back to the
Indus Valley Civilization, dating from 2500 to 1700 B.C.
These bear a remarkable resemblance to the traditional toys
of a much later period which remained popular through the
ages till recently when factory made toys found their way to
the villages.
The
traditional toys usually depict animals, equestrian figures
and wheeled vehicles, all of which, though varying in
quality and intended for different purposes. They can be
used as playthings by the children and as decoration pieces
by the adults. Toys of cloth stuffed with cotton are still
made by the women in the villages. Dolls, birds and animals
are some of the common subjects. These are embellished with
colorful additions of beads, buttons, feathers, tinsels and
tassels and also with cowries. Sometimes the body of the toy
is appliqued. The material used in this folk art reflects
the dynamic spirit of improvisation. Besides their
ornamental quality these toys have a sentimental value as
well as emotional appeal.
The
popularity of the clay toys is diminishing day by day but
still there are to be seen sporadic instances of miniature
dolls in clay, animals and kitchen utensils, roughly colored
with kharia mitti and decorated with motifs in bright
colors.